The Holdovers - Miramax, Gran Via Productions

EdiCue is the best! I just LOVE the speed and ease of cueing ADR with your software! Frank Gaeta - Supervising sound editor / sound designer, The Holdovers

The Dark Crystal: Age of Resistance

We used EdiCue for the new Netflix show 'Dark Crystal'. As it's a puppet show all of the original studio recordings were only ever going to be a guide. So we had to record 10,000+ lines of ADR, although calling it ADR does seem wrong given that we essentially recorded the production audio. It was...

Mission Impossible - Fallout

EdiCue was already indispensable software. On shows like Mission Impossible, the recuts came in thick and fast, but using EdiCue meant my sheets were always up to date. Now with version 3 it has outdone itself. The new options allow for such clear sheets so my sessions will go just how I want them...

Roma - Sergio Diaz

Just for you to know, was a tremendous help to use your products EdiCue and EdiLoad on ROMA. Many thanks! Sergio Diaz - Sound Designer / Supervising Sound Editor: Roma Oscar Nomination 2019: Best Achievement in Sound EditingOscar Nomination 2019: Best Achievement in Sound MixingMPSE Winner 2019:...

Jonathan Strange and Mister Norrell - BBC

I'm a Montreal based freelance dialogue editor. I began using EdiCue and EdiLoad in 2014 as I was called to cut all dialogues and ADR for the BBC's Jonathan Strange and Mister Norrell. I was a one-man band cutting seven episodes of original dialogue and ADR combined with re-conforming my work to...

Game Of Thrones

I've been cueing ADR for many years, and I've been through most variations available from home designed spread sheets through to tailor made software. I first started using EdiCue on Season 1 of Game Of Thrones and quite honestly I've never looked back. Keeping track of up to 90 cast members...

Homeland, The Blacklist, Charlie's Angels, Necessary Roughness

EdiCue makes life so much easier. Before discovering EdiCue I used a filemaker-based system to handle ADR cues. Now I can edit cues in a familiar format, but the best part of EdiCue is the ease of making changes. I also put foley notes and fx notes in the program while I spot my group. The ADR...

Vikings + The Borgias

ADR has been a specialty of mine for 25 years, so I’ve lived the evolution of cue prep and recording situations, from carbon paper on typewriters to Filemaker Pro; from hanging sound blankets in dressing rooms to mobile recording trucks to world class recording rooms. Truthfully, EdiCue and...

Skyfall - 007

EdiCue was used exclusively for ADR cueing on SKYFALL, I love this software. Simon Chase -  Supervising ADR editor, Skyfall (2013 oscar winner for best sound editing)

Worlds Greatest Dad

I have used EdiCue on every show I have worked on in the past three years. It has completely cut down my preparation time for ADR cue lists, and really continues to impress clients with its clear and concise  ADR reporting. I most recently used it on “World’s Greatest Dad,” starring Robin...

Seven Pounds - Sony Pictures

EdiCue is fabulous and it takes no time to learn how to use. The ease of it's interface with Pro Tools, it's cue sheeting options, and most importantly, it's ease in conforming sessions; takes hours off the ADR Supervisors process. Finally; there is an ADR program that can exist within your...

The Pacific - 424 Post

We recently used EdiCue on The Pacific (HBO) and Quarantine (Screengems) and were consequently able to cue ADR under one application and easily update and personalize cue sheets. EdiCue is intuitive fully supported software and has improved our ADR process so that we can work smarter on a fully...

Emmy® Awarded to Mark Franken for EdiCue

Sydney, Australia (October 1, 2015) - Mark Franken, founder and lead developer at Sounds In Sync Pty Ltd, today announced that he has been awarded an Emmy® for Outstanding Achievement in Engineering Development for his software application EdiCue. The Engineering Emmy is presented to an individual, company or organization for engineering developments so significant that they materially affect the transmission, recording or reception of television.

EdiCue Wins An Emmy®

In the 67th Primetime Engineering Emmy Award announcement, the Television Academy stated: “EdiCue is established software that incorporates a groundbreaking workflow, which sound supervisors use to reliably create and update ADR cues within Pro Tools. This workflow simplifies the process of re-syncing cues when last-minute picture changes occur, and it uniquely provides visual methods to confirm that the timing of cues is correct. These features, along with the flexibility of EdiCue in interfacing with other tools and cueing systems found on ADR stages around the world, have led to its almost universal adoption by both independent television sound supervisors and major post production studios.”

“We are honoured to receive this prestigious award from the Television Academy for the development of EdiCue”, said Mark Franken. “We are excited to be recognized for the important part that EdiCue plays in the sound post-production process, and we are forever grateful for our clients who have helped shape EdiCue into the game-changer that it is today”.

For sound supervisors working in the television industry, EdiCue has made it possible to create and manage the ADR cues for even the most challenging of television shows. These include shows that have tight deadlines, begin sound post-production with pictures that are yet to be locked, or have actors recording in multiple countries and time zones.

EdiCue Emmy® Award Presentation Reel (Durn 03:08)
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Central to EdiCue’s work-flow is the way it stores data within a Pro Tools session. This not only allows users to see that each cue is timed correctly during playback, but provides for a simplified and reliable way to update the cues when picture changes occur.

About the 67th Primetime Engineering Emmy Awards

The 67th Engineering Emmy Awards are overseen by chair Wendy Aylsworth, SVP of Technology, Warner Bros. Committee members are Ruth Adelman, Stuart Bass, Chris Cookson, Jim DeFilippis, David Jensen, Jim Mathers, William Powloski, Vince Roberts, David Stump, Craig Weiss and Barry Zegel.

About Sounds In Sync

Sounds In Sync has been instrumental in providing sound editors and designers from around the world access to professional, time-saving sound editing applications since we launched our first product, EdiTrace, in 2003. We now produce a range of products under the Edi banner, including EdiCue, EdiPrompt, EdiLoad, EdiChart and EdiMarker.

As an Avid third-party developer, Sounds In Sync is committed to creating intuitive, user-friendly tools that directly assist sound designers and editors to fulfill ever-increasing production demands. Our software and workflow solutions are purpose- designed to meet the specific needs and requirements of sound designers and editors worldwide – whether freelancers or based at major film post production facilities.

Sounds In Sync's lead developer, award-winning sound editor Mark Franken, has consistently worked at the forefront of sound post production on a wide variety of projects from around the world. His hands-on experience in today’s exciting sound industry allows him to see where his colleagues need help - and provides him with the knowledge and impetus to create and develop the software to help them.

Photos from the event

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